Vocal Coach and Repetiteur

First of all, let me say how difficult is to sing in a foreign language. Hence, as result of my experience, I will be able to understand your difficulties and therefore helping you on taking care of your correct pronunciation in function of the musical phrases. Probably lot of mistakes starting here. 

Currently, I’m working at the University of West London, as vocal coach for Italian classes and also as accompanist and repetiteur for opera and musical theatre department.

Over many years, I’ve been a repetiteur, accompanist, vocal coach and maestro concertante for several operas. I was 11 when my teachers noticed my strong sight-reading. So one day they put in front of me Rigoletto’s score, on the Sparafucile aria “Quel vecchio maledivami” asking me to play it. Due to it I could consider this moment as the first step in my experience to working with singers.   Don Giovanni, Così fan tutte, l’Elisir d’Amore, Barbiere di Siviglia, Cavalleria Rusticana, Pagliacci, Bohème, Tosca, Traviata, Rigoletto, Aida. In my background there is a great experience at the “Accademia Teatro alla Scala”, and previously as Maestro Concertante and Coach for independents productions.

Finally after moving to London, in 2013, I also started to coach musical theatre singers and I loved it. Someone told me that maybe “there is just one difference between an opera and a musicals singer: the second uses microphones”.

Noteworthy, my latest musical productions include Ordinary Days, Just so and Spelling Bee.